Renée Fleming triumphs as the glamorous courtesan Thaïs in Massenet’s romantic tragedy set in fourth century Alexandria and the Egyptian desert. The timeless struggle between earthly desire and spiritual redemption finally destroys the resolve of the monk Athanaël (Thomas Hampson), just as the newly penitent Thaïs ascends heavenward. BONUS FEATURE: Interviews by Plácido Domingo
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March 16, 2008
#1
I haven’t seen the vid, but I did see this production at the Met, and was disappointed… Not in Ms. Fleming but in the production. For one thing, the set pieces didn’t seem to fit together, there were gaps between pieces which was odd (yes, some were not supposed to fit together, making a river, but there were other gaps that were definately NOT supposed to be there!). The use of color WAS stunning, and Flemings gowns by Lacroix were great. But except for the use of bold color, the set was boring. Thais’ house, on the outside, looked like a frosted cupcake that fell on the floor upside down. The inside of her house was cavernous with with poor use of space (her bed seemed like a throw pillow in that great room). Only the slightest hint of lighting effect was used for the burning of Thais’ house. Overall, the production was simply a direct reading of the libretto… no attempt at reinvention or interpretation, in other words, a stale production with vivid, technicolor mold growing all over it. I would buy a cd recording of this production, and there is a recording with Fleming from Chicago, but I would not buy this video, other than purely to stare at Fleming’s costumes, and listen to the music.
March 16, 2008
#2
While I agree with some of the comments in other reviews regarding the production (ie. why is Nicias’ guard brandishing a gun when it’s supposed to be the 4th century?) and the picture quality (it’s fine, but could have been better if split across 2 DVDs or had a blu-ray version been made available). That being said, you are not going to find a better sounding, better performed Thaïs either live or on video in this generation. Renee Fleming is simply ravishing as Thaïs and Thomas Hampson is arresting in his portrayal of Athanaël, even if the role is perhaps a bit heavy for him (if only Sherrill Milnes was still in his prime!). Jesus Lopez-Cobos conducts with astounding sensitivity in a pitch-perfect interpretation which does not suffer from any of the loginess you often come across with conductors unaware of how to deal with Massenet. The tempos are consistently right-on and Cobos winds the velvet strains of Massenet’s finest score around his little finger, with the help of the best opera orchestra in the world, of course. If you love Massenet, as I do, you will treasure this performance and watch it over and over again — and if you’re not sure about Massenet, this DVD will make you a believer and you’ll wonder why he still isn’t recognized as one of the greatest composers of all time.
March 16, 2008
#3
I found Thais to be a wonderfully entertaining production in every aspect. The singing, staging, costumes, orchestra were all top-notch. This is the epitome of what a Met production should be. The updating did not lose any of the exotic atmosphere. Rene Fleming was superb in the title role, and Thomas Hampson was excellent. My only problem is with the opera itself, the plot. I’m not sure what the point was. Was the monk misguided in trying to help a fallen woman? I can understand his attraction, but it seemed odd that she embraced faith while he lost his. I might expect a bit of ambivalence, but this seemed over-the-top. This aside, I can’t imagine any opera lover not enjoying this gem. The “Meditation” is a highlight, and I’m glad the soloist was recognized at the end. For those who can’t make it to New York, it’s great how the Met is making opera available to the public.
March 16, 2008
#4
What is there to say except ms Fleming is fantastic as well as the production and video.I enjoyed this opera very much and believe that those that like ms Fleming’s warm voice will also.
March 16, 2008
#5