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My Own Private Idaho – Criterion Collection

River Phoenix and Keanu Reeves star in director Gus Van Sant’s haunting tale of two young street hustlers: Mike Waters, a sensitive narcoleptic who dreams of the mother who abandoned him, and Scott Favor, wayward son of the mayor of Portland and the object of Mike’s desire. Navigating a volatile world of junkies, thieves, and johns, Mike takes Scott on a quest from the grungy streets to the open highways of the Pacific Northwest, in search of an elusive place called “home.” Groundbreaking and visually dazzling, My Own Private Idaho is a stirring look at unrequited love and life at society’s margins.Mapping the spaces between fortune and degeneracy, Shakespeare and street cant, Europe and the Pacific Northwest, and gay and straight, My Own Private Idaho is the 1991 masterpiece by director Gus Van Sant. River Phoenix gave the most generous and memory-searing performance of his tragically shortened career as Mike Waters, a narcoleptic street hustler in search of his mother. His best friend, Scott, played by Keanu Reeves, is a son of privilege who fosters plans of rejoining the moneyed world of his father after gallivanting with assorted urchins and ne’er-do-wells. The beautifully symmetrical story that emerges between the two is one of friendship, yearning for lost time, and sexual identity conveyed with a poet’s eye for landscape. The camera lingers on abandoned houses in golden fields and time-lapse clouds, providing what T.S. Eliot called “the objective correlative”–external representations of interior emotional states. We’re treated to striking iconic sequences like a barn falling from the sky and still-life scenes of carnal entanglement. The supporting cast is a rogues’ gallery that includes Flea of the Red Hot Chili Peppers, Udo Kier, director William Richert, and a variety of “nonactors” pulled literally off the street to provide documentary veracity to a film that gleefully careens into riffs on Henry IV. It’s beautiful.

What’s also beautiful is the Criterion Collection’s treatment of the film’s DVD debut. The director-approved transfer successfully conveys the warmth of the film’s palette of oranges and browns, and preserves the whimsical atmospherics of the yodeling country music soundtrack. Many members of the original crew contribute their fond memories to the documentary features, which include a conversation between Phoenix’s sister Rain and producer Laurie Parker. There are also two lengthy audio-only conversations–one between Van Sant and Velvet Goldmine director Todd Haynes, and another between author J.T. Leroy and filmmaker Jonathan Caouette about their experiences on the street. The deleted scenes mostly suggest alternate endings that Van Sant wisely left on the cutting room floor. A superb example of a beloved film on DVD. –Ryan Boudinot

Stills from My Own Private Idaho (click for larger image)


The Cast

River Phoenix

Keanu Reeves

Keanu and River

Udo Kier

Gus Van Sant

Buy “My Own Private Idaho – Criterion Collection” For Only $23.94

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5 Comments
  • Anonymous
    April 15, 2008
    #1
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    I couldn’t MAKE myself sit through this movie. It was sick and depraved. I have no idea why River Phoenix is hailed as such a great actor with as little talent as was displayed in this film.

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  • James
    April 15, 2008
    #2
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    I just cannot believe that there are so many great reviews for this movie. I had a very hard time keeping my eyes open because it was so boring. River Pheonix was pretty good in acting, but you just get so sick of him suffering from cezar after awhile. I guess he has an issue with his mother, so every time he encounters some stressful moments, he goes into this cezar which happends a lot throughout the movie. Another problem I have with this movie is that, it seems like all the other male characters are given directions to kiss and do other things with eachother. Keenaue and River seems to avoid having to do this, so good for them to just collect their checks for being in this movie, when others had to do more of the work to make it more believable.

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  • M. Rapoza
    April 15, 2008
    #3
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    This film tries too hard to be sublime and just ends up confusing and stupid. Don’t bother.

    Keanu Reeves has not improved much over the years, either.

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  • R. A Rubin
    April 15, 2008
    #4
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    Those long takes on Idaho farmland and back roads — pretty, but ultimately boring. You see: film is not a photograph. Film contains action, story, and human pathos. We get one of those in My Own Private Idaho. Gay street people are predictable, but in real life their clients are Joe Fag anybody, not these theatrical versions of Truman Capote or Dieter from Saturday Night Live. So, are we looking at a satire on street life or a serious look at street boys roaming Portland, Oregon. Are we to believe America has nothing to offer, but cheap sex and bad drugs? Come on!

    River Phoenix played himself, a boy sleepwalking through life. He has a famous father to spark his career. Oh, that’s too easy I guess. He died pretty much as the slacker he really was. Keanu, another Hollywood legacy, he seems to be 22 years old whether he plays a seventeen year old or a thirty-five year old. I liked him as a dentist in Thumbsucker way more than this non-believable street boy with a city mayor for a dad. Come on!.

    Look, if you’re going to do weird, see any David Lynch flick. He’s so much better. Sorry Gus.

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  • Ruth Z. Deming
    April 15, 2008
    #5
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    Neither fabulous performances by the late River Phoenix and Keanu Reeves, as well as creatively framed cinematography – including the live-talk of the porn mag stars – could save this impossibly flawed Van Sant movie of rebels without a cause. I literally snored through moments of the the movie, and wasn’t even intrigued, as a viewer must be, by the grueling sadism of the minor characters, let alone the journey of the main characters. What journey? A journey straight to hell. The best parts of the film are its title and the shots of the long roads of desolate Idaho, echoing the desolation of the characters; and of teaming Portland, Oregon, just another busy industrial city with its dens of iniquity and ridiculous gratuitous violence.

    I enjoyed seeing actor Phoenix’s depictions of the brain disorder narcolepsy, dropping dead asleep in his tracks, a metaphor for the lost dead soul of Phoenix. If only Gus Van Sant could have made debauchery intriguing, instead of tormenting, and left the viewer to contemplate, “Why on earth?” Instead, My Own Private Idaho was merely tiresome, and waiting for the viewer to cry, “Enough already!” And turn off the 1993 video

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