The War will be a seven – episode series, produced by Ken Burns and Lynn Novick, that will examine the myriad ways in which the Second World War touched the lives of every family on every street in every town in America. By telling the stories of ordinary people in four quintessentially American towns – Waterbury, Connecticut; Mobile, Alabama; Sacramento, California; and the tiny farming town of Luverne, Minnesota – the series will portray this enormous worldwide catastrophe on an intimate, human scale. The War will intertwine vivid eyewitness accounts of the harrowing realities of life on the front lines with reminiscences of Americans who never left their home towns, and who tried their best to carry on with the business of daily life while their fathers and brothers and sons were overseas. The film will honor and celebrate the bravery, endurance, and sacrifice, of the generation of Americans who lived through what will always be known simply as The War. Creating epic documentaries about war is nothing new for Ken Burns, nor is the subject of the Second World War, which never ceases to be a popular subject of films and TV shows. Yet with The War, Burns has definitely succeeded in breaking new ground, exploring in depth the effect of the war on common Americans, and not just the soldiers of The Greatest Generation that fought it. As the narration says at the beginning, “The war affected people in every house, on every street in every town in America.” This is nothing less than an attempt to show how the war altered the lives of an entire nation through the portrayal of four individuals from four communities–Waterbury, Connecticut; Mobile, Alambama; Luverne, Minnesota; and Sacramento, California–that could represent any town in the country that went through the war. The result is another stunning achievement for Burns and co-director Lynn Novick. Together the filmmaking team succeeds in bringing the war home through the testimonies, letters, and footage of the people from these towns. The storytelling is compelling–Burns and Novick manage to find the most vivid, intimate, and personal dimensions of a global catastrophe–and brought to life with exceptional voice work from marquee stars like Tom Hanks, Alan Arkin, and Samuel L. Jackson. Much of the footage is brilliantly restored; even the most die-hard History Channel buff will see clips here that they’ve never viewed before. Many old grainy family films look almost as clean and bright as if they were just shot using a modern camera with black-and-white film (keeping in mind that most of the footage was shot without sound, the audio effects work on The War is particularly impressive and should bring attention to the underappreciated work of the foley artist). It took Burns and Novick six years to make this seven-part, 15-hour film–not surprising, really, considering the miles of footage they must have accumulated in the course of their research–and the time and effort shows in the results. The DVD also includes a making-of featurette, deleted scenes, extensive commentaries, and more, in addition to a companion book, The War: An Intimate History. –Daniel Vancini
Buy “The War – A Film By Ken Burns and Lynn Novick” For Only $32.40

February 3, 2006
#1
I cant believe that in 6 years of making this movie never once did Ken Burns run into any Hispanic names or even pictures of one? Ma be Ken Burns doesn’t know what one looks like? His next program should be called How Ken Burns WIPE OUT HISPANICS.
February 3, 2006
#2
Seeing this documentary it leaves you wondering who were the bad guys in this war. It thoroughly trashes America. Ken Burns took great pains to paint the US as this awful, racist country. He doesn’t explain the fears and mindsets of the time. The narrator goes on and on about how badly the blacks & Japanese Americans were treated, despite them serving. It is a constant theme in every episode. Ken Burns is definitely a hardcore, left wing propagandist.
February 3, 2006
#3
Certainly this is a powerful and moving memorial to the American participation in WWII. It is indeed a fitting tribute to the myriad sacrifices, the unavoidable reality of FUBAR notwithstanding, and the too narrow regional focus notwithstanding, and performs a great service in helping us not to forget.
Ken Burns’ slow style and bleeding-heart sentimentality may be annoying at times, but after a few hours of viewing this epic, I have forgiven him this failing, and am just in awe of the incredible footage he has assembled (albeit augmented with sound effects).
(Note to parents: there are many grisly scenes, decapitated and mutilated bodies for example, not suitable for children.)
But I am left wondering, who can watch this today in America and not think of what’s going on in Iraq and Afghanistan? So many of the titles have multiple layers of meaning in reflecting on the present. ‘A Necessary War’? hmmm. ‘FUBAR’, well, exactly. ‘A World Without War’? hmmm.
Must we wait 60 years to see what the troops are enduring right now in Iraq?
February 3, 2006
#4
Ken Burns spoke of this series on the Adam Corolla show recently.
From what he and Adam said about this series, I’m waiting with anticipation for the release date.
According to what I heard in the interview, the way it captures a moment in our history, the way it allows the viewer to feel connected with individual soldiers and the people in their lives, and the way it sheds light on how much we as a society have changed in the last 60 years sounds like something that can’t be missed out on.
The fact that he takes 14 hours to express these ideas makes this that much more of an experience.
February 3, 2006
#5
Frankly after the first episode I was appalled at the amount of information being left out. Not little inconsequential battles either. Many events were glossed over–barely touched. After the first episode I did not want to watch any more, but I did and it did improve, but it is hardly spectacular or educational. I learned more from Herman Wouk than Ken Burns about world war II. I didn’t expect it to be in the same class as the Civil War, I can understand wanting to be different, but I expected so much more and I was so very disappointed.