Dazzling special effects, unforgettable images and powerful performances highlight David Lynch’s stunning film version of Frank Herbert’s classic science-fiction epic about an intergalactic warrior’s messianic rise. Starring Kyle MacLachlan, José Ferrer, Max von Sydow, Oscar® winner Linda Hunt and Sting, Dune is the ultimate adventure experience that goes beyond the imagination.Even more than most of David Lynch’s deliberately bizarre and idiosyncratic movies, Dune is a “love-it-or-hate-it” affair. An ambitious, epic, utterly mind-boggling–and, let’s admit it, all-out weird–adaptation of Frank Herbert’s classic science fiction novel, Dune remains one of the most controversial films in the director’s exceedingly provocative career. The story (if Dune can be said to have just one story) is complex and convoluted in the epic tradition; it has something to do with political intrigue and a planet that is home to a precious spice and gigantic sand worms. Think Shakespeare’s Henry IV with a dash of Tremors, and set in another galaxy. But despite plenty of strangely whispered voice-overs that explain the characters’ thoughts (and endlessly detailed exposition), storytelling is not really among the film’s strong points. There are, however, a lot of memorably fantastic/grotesque images, an extraordinary cast, and a soundtrack featuring Toto. I told you it was weird. Among the stars are Kyle MacLachlan, José Ferrer, Dean Stockwell, Brad Dourif, Sting, Kenneth McMillan, Patrick Stewart, Sean Young, and Linda Hunt. –Jim Emerson

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This much is certain: this Dune is a sumptuous treat for the eyes, with sets and costumes that were conceived with no apparent limits of budget or creativity. In terms of architecture alone, this is one of the most impressive films in science fiction history. And although the special effects fall short of feature-film quality, writer-director Harrison (who rose from an extensive background in TV) admirably tames the sprawling narrative that pits the opposing houses of Atreides and Harkonnen in a struggle to control the lucrative market for the spice melange. This is as accurate as any Dune adaptation is likely to get (i.e., there’s no need for another attempt), and even then, it can be tricky to keep track of who’s doing what to whom. Unfortunately, the film’s biggest flaws are the casting of a nearly comatose William Hurt as Duke Leto, and a wooden Alec Newman as the messiah-to-be, Paul Atreides. These are regrettable shortcomings, but this Dune remains altogether respectable. That Frank Herbert would be impressed is perhaps the biggest compliment one can pay. –Jeff Shannon

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To his horror, Maud’Dib–Arrakis emperor Paul Atreides (Alec Newman, reprising his Dune role)–has become the unintended figurehead of a violent dictatorship, and his enemies are multiplying. Vanishing into the desert, he waits as destiny shapes his twin heirs Leto II (James McAvoy) and Ghanima (Jessica Brooks), who must contend with their scheming aunt Alia (Daniela Amavia) while Princess Wensicia (Susan Sarandon), of the enemy House Corrino, plots her own attack on Maud’Dib’s familial empire. Exiled Atreides matriarch Lady Jessica (Alice Krige, giving the film’s finest performance) returns to Arrakis, where the enormous, desert-dwelling sandworms face an uncertain future. As always, the spice must flow, and the universe’s most coveted commodity remains at the center of this richly detailed and physically impressive production. Special effects range from awesome (fly-over shots of the capital city, Arakeen) to awful (the saber-tooth tigers look like Jumanji rejects), and Dune devotees will endlessly debate the miniseries’ strengths and weaknesses. Some may desire more action to punctuate the film’s inherent verbosity, but consensus will surely conclude that this is Dune done right, with monumental effort and obvious devotion from everyone involved. –Jeff Shannon

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