AMERICAN BEAUTY (DVD) DOLBY DIGITAL 5.1 & DTS 5.1From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey’s calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism–like Sunset Boulevard‘s Joe Gillis, Burnham tells us his story from beyond the grave.
It’s an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball’s first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he’s also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall’s sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams’ lives with vivid bursts of deep crimson, the color of roses–and of blood. –Sam Sutherland


May 23, 2008
#1
Well its a quite originall story but it doesnt deserve the Oscar for best Acor and Picture! I dont understand why everybody loves that movie! “Cider House Rules” or “Green Mile” where much better than that the movie and the actors were much better! But at least A.Benning dindnt won the award oh, and what happened to her baby I didnt heard anything about it AFTER the oscarnight! Afterall the Poster looks good!
May 23, 2008
#2
I wasted two hours and $6 one afternoon when I went to see American Beauty. I rated the movie 1 star because that was the lowest rating I could choose. The characters were all beautiful to look at. But they treated each other with such coldness and callousness that I found myself wondering how they became a family in the first place. What happened to movies that celebrated life as a family? Are there no couples who positively and effectively communicate and stay faithful to produce movies about? Do we not care that children want to see their parents dead? Do we not care when a friend attempts to seduce the parent of her best friend. Is it now acceptable for neighbors to share pot (illegal though it is)or buy it from each other? I found no redeeming features to this movie. I have enjoyed Annette Benning and Kevin Spacey in other movies, but I am disappointed in this case. And I am worried about what this country has come to that we call such themes “entertainment”.
May 23, 2008
#3
I saw this move thinking “wow this should be great” i truely didn’t get what was sooo good about it, i watched it 10 times thinking maby i missed something, I DIDN’T i really think these should be burned, folks this movie is weird with a poor script it is has no one story line. I am a huge fan of movies and can at least say something nice about a movie but not this one. A WASE OF TIME!
May 23, 2008
#4
Radical London playwrights Sam Mendes and Alan Ball, have contructed a missle into the heart of the American suburban multiplex. It’s aim, with the aid of treasonists, Steven Spielberg and Paul Allen, is to put a stake through the heart of the American Family and the love between fathers and daughters, and mothers and fathers.
I hated this movie. One day there will be a return to Truth, Justice, and the American Way. It will be more intelligent than the drivel of these Oxford types, and the public will have lines around the block for months, making billions domestically.
Its too bad that the auspices of this film aren’t revealed to be what they are: men without love and men without families. They hide behind capable actors and flashy production design.
But if you LOOK CLOSER, they are cowards. They would never come at you face to face. They hide; and the great filmmakers of the next generation are watching and will prevail!
May 23, 2008
#5
I thought this was a “B” rated trash movie. What a disappointment. Kevin Spacy is such a great actor – this was a total waste of his talent. I cannot believe it won the oscars it did!