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Sweet Sweetback’s Baadasssss Song

In this breakthrough film an idealistic hustler becomes militant after witnessing police brutality and corruption.DVD Special Features:All new making of by Melvin Van Peebles: The Real Deal (What it Was Is) remastered in Dolby Digital 5.1/Stereo filmography chapter selection original theatrical trailerSystem Requirements: Running Time 90 MinFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 000799106426 Manufacturer No: 23138Raw, jagged, and explosively angry, Sweet Sweetback’s Baadasssss Song is a landmark in American independent cinema. Melvin Van Peebles directed, wrote, produced, edited, scored, and stars as Sweetback, a passive bouncer raised in a brothel. Shot guerrilla style on a starvation budget on the streets of Los Angeles, it’s a violent tale of Sweetback’s journey from passive acceptance to political awareness and active defiance. He becomes the target of a manhunt when he kills two cops who beat up a young black activist, and he bounces from hideout to hideout before running for the border, all the while getting more booty than Shaft and Superfly put together. The movie was so inflammatory by conservative industry standards that it was “Rated X by an All White Jury,” which the ads proudly touted. The unusual mix of agitprop and exploitation is directed in a jagged style that recalls Godard and set to a funky score performed by Earth, Wind & Fire, which Van Peebles intercuts with chanting Greek chorus-like slogans. Released independently, it was a huge hit and effectively spawned the blaxploitation genre, but none of the films that followed ever recaptured the energy, the anger, and the social politics of this breakthrough in independent cinema. –Sean Axmaker

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5 Comments
  • Robert I. Hedges
    March 15, 2010
    #1
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    This may be the least watchable film I have ever seen. This was recommended to a friend by Amazon because of our purchases of the comparatively enlightening and morally uplifting Dolemite videos. This movie begins by condoning the statutory rape of a ten year old boy, and descends to new depths of film depravity. The one recurring theme in this film is: RUNNING! YES! How exciting can in get watching Sweet run for what seems like hours. This belongs exactly where we put our copy:in the garbage.

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  • Church of The Flaming Sword
    March 15, 2010
    #2
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    I have to give Melvin Van Peebles credit for one thing. He managed to achieve something that the creators of megahits like _Star Wars_, _Spiderman_, _E.T._, _Jaws_, and _Raiders of the Lost Ark_ could not accomplish. He filmed _Sweet Sweetback’s Baaaada*** Song_ with right around $50,000 and wound up grossing over $10 million. That’s 20,000% profit. Pretty impressive. However, many things that create a huge profit within the entertainment industry aren’t necessarily that great. Look at reality shows, gangsta rap, and Americanized J-horror for further proof. Yet _Sweet Sweetback_ isn’t just bad, it’s downright repugnant. These are several reasons why I think – I take that back, why I know it does not deserve it’s lofty reputation.

    1. The opening scene – As some of you know, our “hero” Sweetback (you wouldn’t believe how loosely I’m using that term) was raised in a brothel. Within the first 10 minutes, you see Melvin’s son Mario engaged in sexual congress with an older lady. Mario was 13 years old at the time. Using a child for such a scene is beyond disgusting, but your own child is – well , I can’t think of a word for it.

    2. The police beating scene – I in no way condone police brutality of any sort. Any police officer(s) who brutalize anyone in the way that the young black man is in the film deserve(s) to be prosecuted to the fullest extent of the law. Then again, there is also the way in which Sweetback takes out his anger on the abusive cops. He doesn’t seem to be worried about the welfare of the victim so much as he wants to beat the cops to a bloody pulp. By doing this, he becomes as immoral as The Man whom he claims is victimizing him.

    3. It’s racist – The target isn’t really The Man per se, it’s The White Man. Peebles is one of those misguided souls who believe that the answer to racism is to attack every member of the other race, regardless of guilt or innocence. White men are either portrayed as burly hippy bikers or abusive,racist cops. And white women are shown as mindless cretins who swoon at the promise of sexual delight from a black man.

    4. The editing – _Sweet Sweetback_ has 15 minutes worth of story stretched in at least 90 minutes of pure nothingness. 95% of the movie is cops brutalizing black people, Sweetback running, Sweetback having sex, or Sweetback running while having sex – just joking about that last one. But seriously, go watch a kindergarten play, or just about anything else except _The Real Cancun_, if you want see something better produced.

    And finally…

    5. The tagline – “Rated X by an ALL White jury”. Peebles can sure talk some crap. Doesn’t he realize that “white-bread” films like _A Clockwork Orange_ and _Midnight Cowboy_ were also given the kiss-of-death X rating? But unlike _Sweetback_, those films were full of artistic merit. It think the primary reason for it’s X rating was to save filmgoers from this cinematic weapon of brain cell destruction.

    Avoid as if your life depended on it. It just may.

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  • Ernest L. Street
    March 15, 2010
    #3
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    LET ME TELL SOME OF YOU SOMETHING; WHEN YOU’RE ONLY GIVEN POOP TO WORK WITH AND YA’ MAKE A BIG POOP SCULPTURE THAT HITS THE BIG TIME….COME ONE COME ALL TO SEE THE NEWEST FUNKIEST POOP SCULPTURE, OH! IT RATED R, OH IT’S A HAPPIN’N, OH IT’S ABOUT ALL THE POOP AROUND US ….NOW WATCH EVERYONE, RIGHT BEFORE YOUR EYES THIS POOP WILL TURN INTO GOLD AND STAY FUNKY!!!…< > SORRY YOU WEREN’T THERE THAT LONG HOT ANGRY SUMMER THIS WAS THE S*** FOR A MOMENT AND WE ALL HAD A GOOD LAUGH’N AT CHA…HA’

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  • Randall@aol.com
    March 15, 2010
    #4
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    I only seen it once and I really like to see it again. I hope the scene of him being exploited as the black super hero. Of the ghetto will regain my dignity of being who I am. And thats being an well intelligent black man. Not the actual stereo type they visualize us black men today.

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  • Ronnie Clay
    March 15, 2010
    #5
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    Melvin Van Peebles, directed, edited, wrote, produced, and stared in this movie he let his son Mario Van Peebles at the age of 10 have sex with a grown woman at the being of this movie and she was screeming his name in orgasim saying (SWEET SWEET BACK). Melvin is on th run by by the law when he killed two cops who beat up a black activist. This movie was before (Foxey Brown, Superfly, Shaft and some more). It took movies to a hole new level.

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