• Format: AC-3, Color, Director’s Cut, Dolby, DVD-Video, Original recording remastered, Restored, Special Edition, Subtitled, Widescreen, NTSC
• Language: English
• Subtitles: English, French, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
• Aspect Ratio: 1.77:1

Studio: Warner Home Video Release Date: 08/03/2010 Run time: 225 minutes

Rating: (out of 1 reviews)

List Price: $ 24.98

Price: $ 20.48

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They are one of the greatest rock and roll bands of all time. For over four decades, they have changed modern music as we know it. But some of their most famous performances have never been released… until now. On December 15, 1977, The Who performed before a select invited audience at the Gaumont State Theatre in Kilburn, North London, to record a concert for Jeff Stein’s film, The Kids Are Alright, which turned out to be one of the last live performances by drummer Keith Moon. Shot in 35mm, this holy grail for fans has been digitally restored and remastered in high-definitiion for the ultimate The Who experience. This set also includes The Who’s powerhouse London Coliseum gig from 1969, a never-before-seen rarity and one of the band’s personal favorites. Take an amazing journey with The Who like you’ve never seen or heard them before, featuring their greatest hits and hours of incredible footage! It’s the rock discovery of the year! Two incredible concerts – totaling 138 minutes! Kilburn Songs: “Can’t Explain,” “Substitute,” “Baba O’Reilly (Teenage Wasteland),” “My Wife / Going Mobile,” “Behind Blue Eyes,” “Dreaming from the Waist,” “Pinball Wizard,” “I’m Free,” “Tommy’s Holiday Camp,” “Summertime Blues,” “Shakin’ All Over,” “My Generation,” “Join Together,” “Who Are You?,” “Won’t Get Fooled Again.” London Coliseum Songs: “Heaven and Hell,” “Can’t Explain,” “Fortune Teller,” “Tattoo,” “Young Man Blues,” “A Quick One While He’s Away,” “Happy Jack,” “I’m a Boy,” “I’m Free,” “Tommy’s Holiday Camp,” “See Me, Feel Me,” “Summertime Blues,” “Shakin’ All Over,” “My Generation” Plus 70 minutes of rare Coliseum bonus tracks and extended versions including the first-ever long performance of “Tommy.” Includes an extensive collectible booklet featuring liner notes by The Who: Maximum R&B author Richard Barnes, The Who art director and designer Richard Evans, former Spin and Vibe editor Alan Light, and Nigel Sinclair.

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Buy “The Triplets of Belleville” For Only $7.01

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In this extraordinary musical celebration, first seen on public television, Bing performs solo and in duets with superstar colleagues. These memorable performances from TV specials Bing headlined between 1945 and 1977 haven’t been seen since their original broadcasts. Full song performances by Bing blend seamlessly with unique insight from Kathryn Crosby, Mary Crosby, Michael Feinstein, Leonard Maltin, Regis Philbin and Andy Williams.

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List Price: $ 19.98

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Disc 1
We’re Gonna Groove/ I Can’t Quit You Babe/ Dazed And Confused/ White Summer/ What Is And What Should Never Be/ The Ocean/ How Many More Times/ Moby Dick/ Whole Lotta Love/ Communication Breakdown/ C’mon Everybody/ Something Else/ Bring It On Home

Disc 2
Immigrant Song/ Black Dog/ Misty Mountain Hop/ Since I’ve Been Loving You/ Going To California/ That’s The Way/ Bron-Y-Aur Stomp/ In My Time Of Dying/ Trampled Underfoot/ Stairway To Heaven/ Rock And Roll/ Nobody’s Fault But Mine/ Sick Again/ Achilles Last Stand/ In The Evening/ Kashmir/ Whole Lotta LoveExclamations of religious awe are in order. Legendary and long sought-after, this live Led Zeppelin collection is nothing less than the rock music equivalent of the Holy Grail. Quite simply, this is what all the fuss was about.

Given that they were the biggest band in the world, Zeppelin were notoriously camera-shy in their heyday. Their official filmic legacy until now has been just the fascinating but flawed The Song Remains the Same. While this new set presents some previously unseen footage from the same 1973 Madison Square Garden gigs, its real wonders lie in the earlier (1970) Royal Albert Hall footage and the later Earls Court (1975) and Knebworth (1979) concerts. Everything here looks and sounds new-minted, thanks to painstaking restoration and remastering of both audio and visual sources, a Herculean labor of love on the part of co-producer Dick Carruthers working hand-in-glove with Jimmy Page. Trawling through thousands of yards of previously unseen film and unheard tape recordings–some with missing visuals, some with missing audio–Page and Carruthers have chosen only the best possible footage available. They were also at pains to make the segments segue seamlessly so that the viewer is treated to what feels like a continuous concert–just sample the transition from a grainy Super 8 “Immigrant Song” (Sydney, 1972) to “Black Dog” at MSG.

Highlights? It’s not hyperbole to say that every powerhouse minute of this collection (some 230 minutes of concert footage plus another hour and a half of extra DVD material) is a rare musical and visual treat. But hearing Page’s violin bow work on “Dazed and Confused” in DTS or Dolby 5.1 is an experience not soon forgotten. –Mark Walker

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Movie DVD

Rating: (out of 10 reviews)

List Price: $ 12.98

Price: $ 3.52

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Originally released in 1972 and directed by celebrated British filmmaker Tony Palmer, Bird on a Wire follows Cohen on his 1972 European tour and contains 17 classic performances, 4 poems and tour footage. After several edits it was relreleased in 1974. Like many films from the era it was thought that the original print had been lost, but in 2009 more than 290 rolls of film in rusted cans were discovered containing much of the original rushes and soundtrack of the 1972 film. Tony Palmer was able to restore much of this footage and it is now available on DVD for the first time. Also includes a limited edition reproduction of the iconic 1972 film poster and is in deluxe digipak packaging.

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Price: $ 17.99

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The film is, for better and worse, the fruit of three artists in conflict–Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters’s alter ego–an alienated, “comfortably numb” rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters’s autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It’s a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. –Jeff Shannon

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